JOSHUA RAY WALKER

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OTTOMAN TURKS - DEBUT ALBUM RELEASING AUGUST 23

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THE 40 ACRE MULE

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UPSETTING - ON TOUR NOW

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Current Releases

'Wish You Were Here'

JOSHUA RAY WALKER

Recorded by John Pedigo of The O’s (Old 97’s, Vandoliers) at Audio Dallas (where Willie Nelson recorded Red Headed Stranger) and Studio B at Modern Electric Sound Recorders, Joshua Ray Walker’s debut instantly earmarks him as one of Texas’ most gifted lyricists and musicians and a major force in the songwriting community moving forward.

 

 

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Upcoming Releases

Aug 23, 2019
Ottoman Turks Ottoman Turks

SFR Recording Studio

Chemical Street Studio is home to State Fair Records.  The studio is located near Downtown Dallas in The Design District. The label has released eight records in its three-year run, including two E.P.s and one single, a collaboration between Madison King and Rhett Miller of The Old 97’s and the studio remains busy with three new albums currently in production.

Studio time for projects of all sizes is available with hourly and block rates.

 

 

  • Check calendar for availability
  • Submit booking request + $50 deposit
  • Receive confirmation via email

A powerhouse of R&B revival, with touches of golden era rock, boogie and subtle hints of country mixed in.”

Central Track

Kristy Kruger is a musical time traveler gripped by stylistic wanderlust. Her curiosity leads her to unpredictable explorations, placing aesthetic bets that her intelligence, talent and immense personal charm take straight to the bank. Each song is a wonder and a delight.

Anthony DeCurtis, *The Rolling Stone*

Joshua Ray Walker knew how to keep you guessing during his set at Rustic Tap on Saturday, rolling along to the rhythm of an 18-wheeler one minute and shifting into neutral for a loping bedroom ballad the next. The constant throughout for this country-tinged songwriter was his inexorable sense of storytelling, singing parables of self-reflection — and, oftentimes, evisceration — that were tortured by what his narrators could write in a song but couldn’t say in person. Punctuating his haunting arrangements with even eerier high-pitched yelps, Walker finished things off, alone and seated in a chair, with the bold imagery of “Canyon.” J.G.

RollingStone.com

Rolling Stone