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SFR Recording Studio
Chemical Street Studio is home to State Fair Records. The studio is located near Downtown Dallas in The Design District. The label has released eight records in its three-year run, including two E.P.s and one single, a collaboration between Madison King and Rhett Miller of The Old 97’s and the studio remains busy with three new albums currently in production.
Studio time for projects of all sizes is available with hourly and block rates.
- Check calendar for availability
- Submit booking request + $50 deposit
- Receive confirmation via email
“A powerhouse of R&B revival, with touches of golden era rock, boogie and subtle hints of country mixed in.”
Kristy Kruger is a musical time traveler gripped by stylistic wanderlust. Her curiosity leads her to unpredictable explorations, placing aesthetic bets that her intelligence, talent and immense personal charm take straight to the bank. Each song is a wonder and a delight.
The Rolling Stone
Joshua Ray Walker knew how to keep you guessing during his set at Rustic Tap on Saturday, rolling along to the rhythm of an 18-wheeler one minute and shifting into neutral for a loping bedroom ballad the next. The constant throughout for this country-tinged songwriter was his inexorable sense of storytelling, singing parables of self-reflection — and, oftentimes, evisceration — that were tortured by what his narrators could write in a song but couldn’t say in person. Punctuating his haunting arrangements with even eerier high-pitched yelps, Walker finished things off, alone and seated in a chair, with the bold imagery of “Canyon.” J.G.
The 40 Acre Mule was amazing... the perfect mix of blues-influenced rock and roll with a Texas swing. Can’t wait to hear more from this unique band.
Stephanie, Granada Theater Guest
“I knew the second I heard Bree, this is something magical and I want to be a part of it.”
~ Matt Kennedy, Audio Dallas
The songs on the album, The Immaculates, were written and partially recorded over a number of years by Longhorse. The album is resolutely low-fi: According to Longhorse, a lot of the guitar and vocal tracks were recorded in his kitchen. With his renewed focus, he pulled Prickett and Wakefield in to complete the recordings. The album fully captures the diversity of musical styles and ideas that have held his attention over his fifty years of playing. Bottleneck blues, circus polkas, Waits-style ballads, it’s all there — the ideas finally given the life immortal of a release.
SEPTEMBER 2, 2016, Dallas Observer